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Special Tribute Offerings (Pyŏljinhŏn) during the Reign of King Sŏngjong and Chosŏn Crafts in the Fifteenth Century
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A Study of the Five Peaks Screens in Relation to Imperial Portrait Production during the Korean Empire Period
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The Background and Orientation of the Reorganization of State Rituals in Koryŏ in the 12th Century
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Origins and Beliefs of Buddha’s Hair and Nail Relics Excavated from Mirŭksa Temple Site in Iksan
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The Symbolism of Sculpture and Cultural Significance of Koryŏ Sculpted Celadon: Focusing on Sculpted Celadon at Kaegyŏng and Kang-do
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Usage Rituals and Installed Places of Suro (incense Burner with a Baby and its Mother) in the Koryǒ Dynasty
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Consumption Patterns and Regional Characteristics of Punch'ŏng Ware Painted with Underglaze Iron-brown in the Early Chosŏn Period
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Discourses on Southern and Northern Schools and the Dichotomy of Ink and Color in Post-liberation Korean Painting
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A Study on The City of Supreme Peace: The Visualization of an Ideal City in the Late Joseon Period
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A New Trend of Korean Modern Embroidery, the Inflow and Development of Foreign Embroidery
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Special Exhibition on the Tongsinsa of the Joseon Dynasty: Bonds of the Heart, Waves of Resonance
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The Iconographic Origins and Significance of the Hibiscus Mutabilis Motif (芙蓉紋) in Koryŏ Celadon
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Changes and Dissemination of Auspicious Animal Paintings in Nineteenth-century Chosŏn: Group-type Compositions
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Painting of the Buddhas of the Three Ages at Taedunsa Temple, Haenam, Commissioned by Consort Sunbi Ŏm: A Collaborative Work by Itinerant Monk-painters
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Regional Characteristics and Reception Patterns of White Wares from the Southern Region of the Song Dynasty Excavated from Koryŏ Sites
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Art History in the Digital Age: The Current State and Achievements of Digital Heritage Research
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Beyond the Narrative of Legitimacy: The Political Significance of Yongle’s 1419 Gift of Paintings to Chosŏn
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