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Regional Circulation and Maritime Trade Routes of Chinese Ceramics in Koryŏ Korea (918-1392)
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From the Imagery of Reclusion to the Representation of Political Authority: The Transformation of Kiyŏnghoedo (耆英會圖) from Late Koryŏ to Early Chosŏn
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Constructing Political Authority in Court Banquet Paintings: Musin Chinch’ando (1848) in the Reign of King Hŏnjŏng
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The Scholarly Basis and Artistic Characteristics of Wich’ang O Se-Ch’ang’s Seal Carvings
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O Se-ch’ang and the Collecting of Joseon Painting and Calligraphy in Colonial Korea: Focusing on the Collections of Pak Yŏng-ch’ŏl and Chŏn Hyŏng-p’il
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The Collection and Utilization of Korean Ceramics by the Yi Royal Household Museum: Focusing on the Colonial Nature of the Reproduction Ceramics Industry During the Japanese Colonial Period
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The Iconographic Features and Significance of the Hand-colored Woodblock Print Tejaprabhā Buddha Subduing the Nine Luminaries and Twenty-Eight Lunar Mansions from the Yingxian Timber Pagoda, Liao Dynasty
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The Madonna Attributed to Tang Yin: A Cross-Cultural Interpretation of a “Suzhou Pian”
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Church Art in Korea: Focusing on Catholic Art from the 1890s to the 1960s
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Echoes of a Master: Chusa’s Critique and the Evolution of His Disciples
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The Formation of An Kyŏn’s Style and Attributed Works: Connoisseurship, Collecting, and Circulation in an East Asian Context
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Sites Where the Gaze of Record Lingered: Visual Representations of Anyang’s Historical Sites in Samsŏnggi-yuch’ŏp
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From a Regional Painter to a Royal Portraitist: The Formation of Ch’ae Yong-sin’s Early Style and the 1900 Royal Portrait Commission
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The Formation of the “Painted Buddha”: Reverse Side and Enshrinement Practices in Koryŏ Buddhist Paintings
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Interpreting the Illustration of Maitreya’s Descent by I Sŏng from a Buddhist Ritual Perspective
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The Thirty-Seven Deity Mandala Discovered in the Maitreya’s Descent Painting at Myōman-ji Temple, Japan
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A Study on the Ornamental System and Ritual Context of the Buddha Triad in Taegwangjŏn Hall of Sinhŭngsa Temple, Yangsan
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RESEARCH ARTICLE