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Special Tribute Offerings (Pyŏljinhŏn) during the Reign of King Sŏngjong and Chosŏn Crafts in the Fifteenth Century

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The Formation of An Kyŏn’s Style and Attributed Works: Connoisseurship, Collecting, and Circulation in an East Asian Context

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Changes and Dissemination of Auspicious Animal Paintings in Nineteenth-century Chosŏn: Group-type Compositions

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Consumption Patterns and Regional Characteristics of Punch'ŏng Ware Painted with Underglaze Iron-brown in the Early Chosŏn Period

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The Background and Orientation of the Reorganization of State Rituals in Koryŏ in the 12th Century

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Painting of the Buddhas of the Three Ages at Taedunsa Temple, Haenam, Commissioned by Consort Sunbi Ŏm: A Collaborative Work by Itinerant Monk-painters

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The Power of Images: A Double Fifth Painting at the Qing Court and Its Apotropaic Power

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The Lion Pagoda at Seonamsa Temple

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Exhibition Review: Special Exhibition 'Song and Yuan Buddhist Paintings—Buddhas Crossing the Vast Sea' at the Kyoto National Museum (September 20 – November 16, 2025)

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A Study on the Suzhou True-View Landscape Paintings of the Wu School in the Ming Dynasty

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Ssangbongsa Temple Correspondence (Final)

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Seokguram Correspondence (IX)

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Stone Standing Buddha at Choa-ri, Seobu-myeon, Gyeongju-gun

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Sites Where the Gaze of Record Lingered: Visual Representations of Anyang’s Historical Sites in Samsŏnggi-yuch’ŏp

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A Study of the Five Peaks Screens in Relation to Imperial Portrait Production during the Korean Empire Period

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Beyond the Narrative of Legitimacy: The Political Significance of Yongle’s 1419 Gift of Paintings to Chosŏn

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Spatial Composition and Systems of Proportion in Utagawa Hiroshige’s One Hundred Famous Views of Edo

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Chinese Yixing Purple Clay Teapots and British Red Stoneware

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Jade Zen Lamp with the Jijeong First Year Inscription

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Three Stone Buddhist Statues at Hyodong, Yeongcheon

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