If PDF does not display, click here to download

1
『歲時廣記』 Google Scholar ›
2
『帝京景物略』 Google Scholar ›
3
『燕京歲時記』 Google Scholar ›
4
『清宮內務府造辦處檔案』 Google Scholar ›
5
조인수 (2001). 「도교 신선화의 도상과 기능」, 『미술사학』 15, pp. 57-83. Google Scholar ›
6
高麗娟 (2022). 「清朝宮廷道士婁近垣的交遊網絡」, 『國立政治大學歷史學報』 58, pp. 37-78. Google Scholar ›
7
劉芳如 (1997). 『迎歲集福-院藏鍾馗名畫特展』, 臺北: 國立故宮博物院. Google Scholar ›
8
畏冬 (1988). 「郎世寧與清宮節令畫」, 『故宮博物院院刊』 no. 2, pp. 81-87. Google Scholar ›
9
胡德生 (2013). 「鬢符腰艾去紛紛—從故宮藏的五毒符說起」, 『紫禁城』 no. 6, pp. 154-155. Google Scholar ›
10
Bartholomew, Terese Tse (2006). Hidden Meanings in Chinese Art. San Francisco: Asian Art Museum of San Francisco. Google Scholar ›
11
Bo, Songnian, and David Johnson (1992). Domesticated Deities and Auspicious Emblems: The Iconography of Everyday Life in Village China. Berkeley: Chinese Popular Culture Project, University of California Press. Google Scholar ›
12
Bodde, Derk (1975). Festivals in Classical China: New Year and Other Annual Observances During the Han Dynasty, 206 B.C.-A.D. 220. Princeton: The Princeton University Press. Google Scholar ›
13
Freedberg, David (1989). The Power of Images: Studies in the History and Theory of Response. Chicago and London: The University of Chicago Press. Google Scholar ›
14
Huang, Shih-shan Susan (2012). Picturing the True Form: Daoist Visual Culture in Traditional China. Cambridge: Harvard University Press. Google Scholar ›
15
Kohn, Livia, ed (2000). Daoism Handbook. Leiden, Boston, Köln: Brill. Google Scholar ›
16
Kohn, Livia (c2009). Introducing Daoism. London, New York: Routledge. Google Scholar ›
17
Lewis, Mark Edward (1999). Writing and Authority in Early China. Albany: State University of New York Press. Google Scholar ›
18
Little, Stephen (1985). “The Demon Queller and the Art of Qiu Ying.” Artibus Asiae 46, no. 1/2: 5–128. Google Scholar ›
19
Little, Stephen, and Schawn Eichman, eds (2000). Taoism and the Arts of China. Chicago: Art Institute of Chicago; Berkeley: University of California Press. Google Scholar ›
20
Mozina, David (2010). “Daubing Lips with Blood and Drinking Elixers with the Celestial Lord Yin Jiao: The Role of Thunder Deities in Daoist Ordination in Contemporary Hunan.” Cahiers d’Extrême-Asie 19: 269–303. Google Scholar ›
21
Reiter, Florian C (2007). Basic Conditions of Taoist Thunder Magic. Wiesbaden: Harrassowitz Verlag. Google Scholar ›
22
Schipper, Kristofer, and Franciscus Verellen, eds (2004). The Taoist Canon: A Historical Companion to the Daozang. Chicago: University of Chicago Press, vols. 1-3. Google Scholar ›
23
Stuart, Jan (2010). “Timely Images: Chinese Art and Festival Display.” Elsley Zeitlyn Lecture on Chinese Archeology and Culture, Proceedings of the British Academy 167: 338–340. Google Scholar ›
24
Tsai, Chun-Yi Joyce (2015). “Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127~1279) and Yuan (1271~1368) Dynasties.” PhD diss., Columbia University. Google Scholar ›
25
Tun, Li-Ch’en (1965). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. 2nd ed. Translated by Derk Bodde. Hong Kong: Hong Kong University Press. Google Scholar ›
26
대만 고궁박물원, https://digitalarchive.npm.gov.tw/Collection Google Scholar ›
27
북경 고궁박물원, Beijing, https://www.dpm.org.cn/ Google Scholar ›
28
Dijing jingwulüe Google Scholar ›
29
Qinggong neiwufu zaobanchu dangan Google Scholar ›
30
Suishi guangji Google Scholar ›
31
Yanjing suishiji Google Scholar ›
32
Cho, Insu.“Togyo sinsŏnhwa ŭi tosang kwa kinŭng.” Misulsahak 15 (2001): 57–83. Google Scholar ›
33
Gao, Lijuan. “Qingchao gongting daoshi Lou Jinyuan de jiaoyou wangluo.” Guoli zhengzhi daxue lishi xuebao 58 (2022): 37–78. Google Scholar ›
34
Hu, Desheng. “Binfu yao’ai qu fenfen: cong Gugong zang de wudu fu shuo qi.” Zijincheng, no. 6 (2013): 154–55. Google Scholar ›
35
Liu, Fangru. Yingsui jifu: Yuanzang Zhong Kui minghua tezhan. Taibei: Guoli gugong bowuyuan, 1997. Google Scholar ›
36
Wei, Dong. “Lang Shining yu Qinggong jielinghua.” Gugong bowuyuan yuankan, no. 2 (1988): 81–87. Google Scholar ›
37
Bartholomew, Terese Tse. Hidden Meanings in Chinese Art. San Francisco: Asian Art Museum of San Francisco, 2006. Google Scholar ›
38
Bo, Songnian, and David Johnson. Domesticated Deities and Auspicious Emblems: The Iconography of Everyday Life in Village China. Berkeley: Chinese Popular Culture Project, University of California Press, 1992. Google Scholar ›
39
Bodde, Derk. Festivals in Classical China: New Year and Other Annual Observances During the Han Dynasty, 206 B.C.–A.D. 220. Princeton: The Princeton University Press, 1975. Google Scholar ›
40
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago and London: The University of Chicago Press, 1989. Google Scholar ›
41
Huang, Shih-shan Susan. Picturing the True Form: Daoist Visual Culture in Traditional China. Cambridge: Harvard University Press, 2012. Google Scholar ›
42
Kohn, Livia, ed. Daoism Handbook. Leiden, Boston, Köln: Brill, 2000. Google Scholar ›
43
_____. Introducing Daoism. London, New York: Routledge, c2009. Google Scholar ›
44
Lewis, Mark Edward. Writing and Authority in Early China. Albany: State University of New York Press, 1999. Google Scholar ›
45
Little, Stephen. “The Demon Queller and the Art of Qiu Ying.” Artibus Asiae 46, no. 1/2 (1985): 5–128. Google Scholar ›
46
Little, Stephen, and Schawn Eichman, eds. Taoism and the Arts of China. Chicago: Art Institute of Chicago; Berkeley: University of California Press, 2000. Google Scholar ›
47
Mozina, David. “Daubing Lips with Blood and Drinking Elixers with the Celestial Lord Yin Jiao: The Role of Thunder Deities in Daoist Ordination in Contemporary Hunan.” Cahiers d’Extrême-Asie 19 (2010): 269–303. Google Scholar ›
48
Reiter, Florian C. Basic Conditions of Taoist Thunder Magic. Wiesbaden: Harrassowitz Verlag, 2007. Google Scholar ›
49
Schipper, Kristofer, and Franciscus Verellen, eds. The Taoist Canon: A Historical Companion to the Daozang. Chicago: University of Chicago Press, 2004, vols. 1-3. Google Scholar ›
50
Stuart, Jan. “Timely Images: Chinese Art and Festival Display.” Elsley Zeitlyn Lecture on Chinese Archeology and Culture, Proceedings of the British Academy 167 (2010): 338–340. Google Scholar ›
51
Tsai, Chun-Yi Joyce. “Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127~1279) and Yuan (1271~1368) Dynasties.” PhD diss., Columbia University, 2015. Google Scholar ›
52
Tun, Li-Ch’en. Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. 2nd ed. Translated by Derk Bodde. Hong Kong: Hong Kong University Press, 1965. Google Scholar ›
53
The National Palace Museum Collection, Taipei, https://digitalarchive.npm.gov.tw/Collection Google Scholar ›
54
The Palace Museum, Beijing, https://www.dpm.org.cn/ Google Scholar ›

The Power of Images: A Double Fifth Painting at the Qing Court and Its Apotropaic Power